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The Grammy-winning, global, super country duo Sugarland have courageously added the Patty Griffin LBGTQ tribute song “Tony” to their set while touring the nation. Although a rarity to be politically outspoken on liberal topics in the country community, singer Jennifer Nettles, never straying from her beliefs and convictions, bravely took her artistry to another level of compassion and benevolence in performing this powerful and heart-wrenching song about a gay teen committing suicide.

Nettles feels very passionate about bringing awareness to LGBTQ teen suicides, and also has hopes of ultimately bridging the gap between the usually conservative country community and the gay community.

I spoke with her regarding her feelings on that specific issue, her brand new album “Bigger,” the reaction “Tony” has unveiled and of course Sugarland’s ongoing U.S. tour. I found her to have a special, captivating and titanic energy, and a magical empathy that you don’t often find.

Photo by Shervin Lainez Outfit by Naeem Khan

The song “Tony” made me cry. It’s a very powerful song.
Yeah, it is very powerful, it is very confronting, it is so many wonderful things that art is intended to be.

I think that you carry that message perfectly and very passionately. I would love to know your inspiration for performing that song during your tour.
It actually came about quite organically, as the best artistic moments do. We were having a conversation in general about Patty Griffin, and that song specifically—how we loved it. We thought, “Well, let’s perform it,” and then we realized just how powerful the message is and could be within the LGBTQ community. Then we looked and thought, “Oh my God, it’s pride.” Then a small spark became a glowing ember, and we thought, let’s get some messaging to go behind on our JumboTron to support this issue.

Obviously the song is very confronting and sadly about gay teen suicide. [We thought], let’s get the messaging to raise awareness about this issue. So we reached out to my friend Jean Freedberg, who works at the HRC. I reached out to her and said, “We’d like some help with this messaging. We’re going to perform this song. We want to raise awareness, and we definitely want the information we are sharing to be representative of something that the LGBTQ community would want to be shared and is within the temperature of something that feels in line with the LGBTQ community now.” So they sent over some wonderful messaging and options to put behind us on the JumboTron. These were not only the statistics of gay suicide, but they went even further, which I think is so great. They gave us questions to ask oneself about how you can help, or ideas of where a child might be hearing either supportive or damaging information.

What do they hear at home? What do they hear at church? What do they hear at school? How can we make those environments more loving and more supportive? Then obviously the song itself is so confronting in terms of what an impact words have. I can sing the word, but I can’t even say the word. In the chorus it is just so hot, it’s such a hot, painful word. All of that together really has created such a beautiful moment within the show.

Photo by Shervin Lainez Outfit by THOMAS WYLDE

Obviously the song has its own extremely powerful message, but you personally seem very passionate. I mean, you’re a passionate singer anyway, but when you sing that song, it seems very emotional. Do you have your own message or viewpoint on that issue that you’d like to also talk about, aside from or because of the song?
You know what, I’m a mother, and I think in having become a mother, my protective instinct and my compassion have exponentially grown. I consider myself a very compassionate person, and that’s not to say that one has to be a parent in order to be compassionate. What I’m saying is for me personally, something was triggered in that. If there is someone who needs to be encouraged or protected, I am fierce about it! So in this song, when I consider the people that I love in the LGBTQ community—my family, my friends—when I consider my sweet little five-year-old son, Magnus, and not knowing what he’s going to confront throughout his life in terms of challenges or bullying, I become super fierce about that. So, when I’m singing the song, I am feeling these feelings about this young man, about Tony. I can also remember people who were bullied when I went to school, be it because of their sexual orientation or a myriad of other reasons. It could be because of their sexual identity or how they looked or how they dressed or where they were from. There are unfortunately many opportunities to be marginalized, especially where the LGBTQ community is concerned.

Do you know anyone personally within the gay community who has experienced a similar issue?
Throughout the course of my career I’ve had wonderful opportunities, especially through meet and greets and fan mail, or even now and most especially through social media. Anyone can directly reach out to me. Fans can reach out to artists and give them messages. We have so many friends who have reached out to us from the LGBTQ community, even before this song, to talk about how much the music has made an impact on them. The responses we have been getting, now that “Tony” is the new fresh message, definitely show we have reached a personal note for many people. That is powerful for me. When someone says, “This really changed my life” or “This experience was mine,” it truly moves me, because even if the song makes one person who may be hurting or considering self-harm consider another way, if it makes one person feel sane and loved and empowered, then it has done the job.

Photo Credit: Cole Cassell
Photo Credit: Cole Cassell

I agree with you. I’m from New York, and I wouldn’t normally think of a country artist to sing this particular song or a song like that. I feel that you are bridging the gap between country artists and the gay community.
For sure, and you’re not the only one. I think of the country community as being a much more conservative community traditionally.

The demographic can be more conservative, but that is such a fantastic opportunity for people like me and Kristian and for other artists who are similarly open hearted, who share similar beliefs, similar themes, to impact people. At the end of the day, you can preach to the choir all you want, but if you’re in the demographic who is already open and who already has heard these messages, you can’t evoke that much change. Really where the opportunity lies is in sharing messages that may invite people to see something differently and to hear it differently, and to see it in a more open way. As a country artist, that is such a fantastic opportunity I find myself in, especially during these times.

So then, if I ask you the question, “Can music change the world?”…
I think it could do a damn fine job of it, Eileen. I really think in a sense that’s what our art helps us do. It is here to help us prompt this and digest and synthesize all of these crazy feelings and messages and constant information. Everyone’s screaming at each other on Twitter—it’s quite corrosive, all of it. It’s very toxic in many ways. So I think that art and music most specifically have a direct line to the heart. I definitely think it could do a good job in changing the world, because it can change hearts, and that’s where it all starts.

That’s an awesome answer! I’d like to talk about the tour for a moment. Will you be visiting overseas, or is this a stateside tour?

We went over to the U.K. actually in March. We had three dates over there. We did London, Dublin and then we did Glasgow. Right now, this tour, this summer, we are specifically domestic, just in the U.S. We started Memorial Day, and we will be going through Labor Day.

We are actually doing two dates in Canada, but otherwise everything else is in the U.S. We are not quite halfway through, and will be at it into September.

Is there anything else that you’d like to add that we haven’t spoken of?
I don’t think so, other than to say that when I perform this song, and when I see people connect with it, when we start talking about it in the context of “‘everyone is welcome at Sugarland,” and what the song is about, and the artist, or when I see someone connect or people that actually have the equality t-shirt on—when I see the connection, I am just so heart warmed, and so moved by that. It makes all of the traveling and everything else worth it. This is what it’s about, touching people.

Are you engaged in any new projects at the moment?
You know what, we have a new record out. It just came out; it’s called “Bigger.” So we’re going to be promoting that throughout the summer tour. Outside of Sugarland I’ve got some things in the works in the Broadway community that I’m not at liberty to fully speak about, but I’m super excited! When I do, you will be getting the information.

YouTube: https://www.youtube.com/watch?v=Gpetkt6kQPE
Facebook: https://www.facebook.com/sugarland/posts/10157661004062516
Twitter: https://twitter.com/Sugarlandmusic/status/1010258608813150208
Instagram: https://www.instagram.com/p/BkVzDpehuh_/?taken-by=sugarland

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Eileen Shapiro
Best selling author of "The Star Trek Medical Reference Manual", and feature celebrity correspondent for Get Out Magazine, Louder Than War, and Huffington Post contributor, I've interviewed artists from Adam Ant, Cyndi Lauper, and Annie Lennox to Jennifer Hudson, Rick Springfield, LeAnn Rimes, and thousands in between. My interviews challenge the threat of imagination....

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